57,396 Free Images of Hand Colored Lithograph

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newton
Les Sacrefices Forces, Isaac Cruikshank, 1789
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Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
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The April Fool or The Follies of a Night ---, James Gillray, 1786
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A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
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The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
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Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
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A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
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Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
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The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
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How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
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Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
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A Present of a Haunch of Venison!, Richard Newton, 1796
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A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
A Portrait ------------, James Gillray, 1799
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Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
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The Irish Bull broke Loose, Isaac Cruikshank, 1799
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The Rape of Helen, Isaac Cruikshank, 1792
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The Finishing Touch, James Gillray, 1791
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Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
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Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
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The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
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The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
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Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
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A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
etchings in the yale center for british artjames gillray
General Mack, Scampering Back!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
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A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
No Flower that Blows, Is Like this Rose, James Gillray, 1796
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A Dash Up St. James's Street, James Gillray, 1797
etchings in the yale center for british artjames gillray
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
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The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
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Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
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My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
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Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Sphere, Projecting against a Plane ---, James Gillray, 1792
etchings in the yale center for british artjames gillray
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
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No Reform, No Reform, Isaac Cruikshank, 1795
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Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
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Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
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Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
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Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
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The Prince at Grass --- The Prince in Clover, James Gillray, 1787
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Sin, Death, and the Devil, James Gillray, 1792
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Vices overlook'd in the New Proclamation, James Gillray, 1792
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Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
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Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
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Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Friendly Agent, James Gillray, 1787
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Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
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Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
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The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
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A Salt Water Salute, Richard Newton, 1794
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John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
A Sketch from Highlife, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
The English Regency, James Gillray, 1789
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A Warm Birth for the Old Administration -----, James Gillray, 1783
etchings in the yale center for british artjames gillray
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
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The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
Patriotism, Richard Newton, 1794
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Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
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The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
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Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
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The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
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Revolution, Isaac Cruikshank, 1790
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How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791
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Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
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The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
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A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
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False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
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The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
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The Buck & the Goose, Isaac Cruikshank, 1801
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Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
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A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
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Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
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Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
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Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
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Corpor(e)al (!) Stamina., James Gillray, 1801
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The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
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Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
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Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
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The Salute, - Vide, The Parade, James Gillray, 1797
etchings in the yale center for british artjames gillray
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
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Jack A Both Sides!, James Gillray, 1783
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Les Trois Magots, James Gillray, 1791
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Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
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The Bridal-Night, James Gillray, 1797
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Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
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The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
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Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Dutch Divisions, James Gillray, 1787
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